But it’s also because the chase is something that the protagonists of this genre crave. This is because the story always needs an antagonist. The law enforcer who attempts to catch the criminal or gang is a staple subplot in many gangster films. Police attempting to catch the bad guy, is this a well-tread story? Yes, but the gangster film relies on it heavily. They must stand out somehow, either for better or worse. ![]() But they also need to be someone the audience will feel it’s worth following. Otherwise, they simply won’t last very long. The gangster film protagonist must be a savvy mover in this criminal world. ![]() And eventually, he leaves those he once cared about behind in order to get ahead. Whilst he is caught on multiple occasions for his crimes, he doesn’t stop. John Dillinger from Public Enemies begins his arc by infiltrating a prison in order to free his comrades.He does this because he feels he is worthy of the power, disregarding the consequences of his actions. He goes from listening to his superiors to eventually having the authority to make life-threatening decisions. Tony Montana from Scarfaceworks his way up from being a refugee.With his charisma and charm, this proves relatively easy. He thusly becomes a ruthless crime lord, whose main goal is to reinvent his boss’s legacy. After his boss dies of a heart attack, he inherits the throne. Frank Lucas from American Gangster has an unexpected rise to power.Some examples of the typical elements of a gangster film protagonist: And this is why they often have an appealing and distinctive charisma. In addition, they must be a character that the audience will like enough to follow. They have just the right amount of self-assurance in order to risk their lives for the business. The main character of a gangster film often has a spunky, overly confident attitude in order to live the life they have thus far. They stand out in terms of their importance to the story’s strength. And the protagonist of a gangster movie is no different. The protagonist is the most important element of any cinematic universe. 10 Key Elements of a Great Gangster Movie 1. It strikes something at the core of what audiences want to see in cinema.īut how do you approach this genre of film? What particular elements are integral to its success? We’ll take a look at the 10 crucial steps to writing a gangster movie below. This proves that the genre has an evergreen appeal. Arguably the first original The Great Train Robbery film made in 1903 followed the story of gang members. The gangster genre has been evident throughout the course of cinema as we know it. Moreover, the characters at the heart of the gangster movie will give the audience an immersive insight into what it’s like to navigate this world. But below this surface-level understanding is often a deeper look at what makes the criminal underworld tick. These films often seem to glorify the acts that take place. Typically, the gangster movie is associated with a particularly graphic depiction of violence. A crime sub-genre (and often part of the film noir sub-genre, too), it may follow stories of large criminal organizations as well as smaller groups formed to pursue specific criminal activities. The gangster movie is one that focuses on narratives of organized crime and gangs. 10 Key Elements of a Great Gangster Movie.But when all is said and done, the full cut of Once Upon a Time in America is one of the top five best gangster movies of all-time. Some of the content is extremely heavy and pushes the boundary, even for a gangster film. De Niro gives one of the best performances of his career as a conflicted, opium sick, mobster dreamer. It’s a decades-spanning story of friendship and loyalty in the mob in New York City. It wasn’t until 2012 that the restored 255-minute version was made available to the public - which is a shame because it’s such a terrific film. If the confusion wasn’t enough, the film was further censored for explicit content. The result of the cuts was mass confusion amongst audiences. He conceded to a 229-minute version but the American version was further cut without his permission to 139 minutes. Leone cut it down to 269 minutes but the studio was not satisfied with his attempts at shortening it. He originally wanted the film to be split into two three-hour features but the studio told him he had to cut it into one film. It was the final film of Sergio Leone’s legendary career and the only film he completed in the last thirteen years of his life. ![]() Once Upon a Time in America is one of the craziest films ever made.
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